“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Choir
Choir score
Item no.: 1168699
for: Piano
Music score
Item no.: 118981
for: Accordion orchestra
Score, Parts
Item no.: 884076
for: 5 soloists (SATBB), mixed choir (SATB), orchestra
Score
Item no.: 202353
Cantata for the 8th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Score
Item no.: 662993
for: Choir (2 voices), piano
Score
Item no.: 564212
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Score
Item no.: 470991
for: Children's choir (2 voices), pian; strings ad lib.
Score
Item no.: 361719
for: Symphonic orchestra
Study score
Item no.: 216576
for: Soloists, mixed choir (SATB), orchestra, organ
Study score
Item no.: 168012
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir part Tenor
Item no.: 373397
for: Guitar
Music score
Item no.: 329175
for: Women's choir (SSA), piano
Piano reduction
Item no.: 964681
for: 4 solo voices (SATB), mixed choir (SATB), baroque orchestra
Piano reduction
Item no.: 285560
for medium voice and piano
for: Voice (medium), piano
Single edition
Item no.: 316970
"Christ lag in Todes Banden"
Cantata for Easter Sunday
– Graduated prices on request –
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 1703391
for: Chor und Klavier
Choir score
Item no.: 876255
Book (Hardcover)
Item no.: 1556065
Volume with detailed booklet in English
for: Voice (soprano), piano
Music score (Urtext edition)
Item no.: 243453
Cantata for the 18th Sunday after Trinity
Urtext Stuttgarter Bachausgaben
for: Soloist (alto), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 661119
Es erhub sich ein Streit
Cantata at St Michael and All Angels
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 328318
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 428480
Cantata for the 13th Sunday after Trinity – Du sollt Gott, deinen Herren, lieben
Urtext Stuttgarter Bach-Ausgaben – revised edition 2017
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233268
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 285415
Cantata for the Purification of Mary or 3rd day of Easter
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (SB), mixed choir (SATB), oboe, violin, basso continuo
Piano reduction
Item no.: 233922
Kantate zur Trauung
Urtext
for: 3 soloists (STB), mixed choir (SATB), strings, basso continuo
Piano reduction
Item no.: 661349
Cantata for funeral service / Purification of Mary.
Reconstruction Klaus Hofmann
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (TB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 1671981
Klassik
for: Alto Voice and Piano
Book
Item no.: 964692
Klassik
for: Women's choir (SA), piano
Piano reduction
Item no.: 964739
Presented by Daniel Grimwood
more than the score...
for: Piano
Music score
Item no.: 675026
Kantate zum Reformationsfest
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score
Item no.: 233311
Cantata for Whit Sunday BWV 74
after the second setting by Bach
Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 233226
Cantata for the 21st Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 232936
Kantate zum Reformationsfest (Rekonstruktion der ersten Leipziger Fassung)
for: 4 soloists (SATB), mixed choir (SATB), chamber orchestra
Study score (Urtext edition)
Item no.: 681015
Cantata for 25th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 550964
Cantata for the 2nd day of Pentecost
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 666939
Cantata for the 1st Sunday in Advent
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 663108
Kantate zum Sonntag Exaudi
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Choir score
Item no.: 660038
Cantata for the 7th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
Graduated prices on request
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 673181
Cantata for the 23rd Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Soloist (soprano), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 673158
Cantata for the 23rd Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Soloist (soprano), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 673157
Cantata for the 3rd Sunday after Trinity/all occasions
Stuttgarter Bach-Ausgaben - Urtext
for: 3 soloists (STB) [SB/TB/SATB], mixed choir (SATB), orchestra, basso continuo
Piano reduction (XL format, Urtext edition)
Item no.: 684222
Cantata for 12th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 683154
Kommt, eilet und laufet
Parodie der weltlichen Kantate "Entfliehet, verschwindet, entweichet, ihr Sorgen" BWV 249a
Stuttgarter Bach-Ausgaben (Urtext)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Harmony parts (complete winds)
Item no.: 234134
Kommt, eilet und laufet
Parodie der weltlichen Kantate "Entfliehet, verschwindet, entweichet, ihr Sorgen" BWV 249a
Stuttgarter Bach-Ausgaben (Urtext)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 234133
Cantata for Palm Sunday or for the feast of the Annunciation – "Himmelskönig, sei willkommen"
Version in A
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Study score
Item no.: 234007
Cantata for Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233941
Cantata for Michaelmas
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 280484