“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
Actus tragicus. Trauermusik
BWV 106
for: Mixed choir (SATB), baroque orchestra
Score (Urtext edition)
Item no.: 233627
for: Mixed choir (SATB), organ
Choir score
Item no.: 687726
for: Cello
Music score
Item no.: 1163188
for: Piano
Music score
Item no.: 1163332
for: Male choir (TTBB) a cappella
Choir score
Item no.: 899553
for: Mouth organ
Music score
Item no.: 1637371
for: Piano
Music score
Item no.: 608246
Cantata for Ascension Day
BWV 37
STUTTGARTER BACH AUSGABEN
URTEXT
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 232922
Visitation of the Blessed Virgin Mary - 6th Sunday after Trinity
for: 4 solo voices (SATB), mixed choir (SATB), baroque orchestra
Choir score
Item no.: 428060
for: Organ
Music score
Item no.: 971670
for: Baritone horn
Buch
Item no.: 809281
for: Piano
Music lesson book
Item no.: 1107290
for: Trumpet
CD-ROM
Item no.: 1204352
Cantata for the 1st Sunday after Trinity
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233241
Cantata for the 3rd Sunday after Trinity/all occasions
Stuttgarter Bach-Ausgaben - Urtext
for: 3 soloists (STB) [SB/TB/SATB], mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 232836
Wedding Cantata – Was Gott tut das ist wohlgetan
Urtext Stuttgarter Bach-Ausgaben – revised edition
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233546
for: Harpsichord, Piano
Book
Item no.: 321343
for: 4 solo voices (SATB), mixed choir (SATB), baroque orchestra
Choir score
Item no.: 180323
for: 4 solo voices (SATB), mixed choir (SATB), baroque orchestra
Piano reduction
Item no.: 285525
for: Piano
Music lesson book
Item no.: 277357
Cantata for the 1st Sunday in Advent
Urtext Stuttgarter Bach-Ausgaben
– Graduated price on request –
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 1670429
with Accompanying Brochure (english)
Bärenreiter Urtext
for: Voice (alto), piano
Piano reduction (Urtext edition)
Item no.: 334479
Arranged for alto saxophone
for: Alto saxophone, piano
Piano reduction, solo part
Item no.: 168258
Klassik
for: Voice (tenor), piano
Book
Item no.: 964737
Klassik
for: Voice (baritone), piano
Book
Item no.: 964818
Cantata for a wedding
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 673206
Cantata for the 7th Sunday after Trinity
Stuttgarter Bach–Ausgaben (Urtext)
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 667008
Kantate zum 21. Sonntag nach Trinitatis
für Solostimmen (SATB), gemischter Chor (SATB), Orchester, Basso continuo
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 681012
Cantata for the Feast of John the Baptist
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 681004
Cantata for the 13th Sunday after Trinity – Du sollt Gott, deinen Herren, lieben
Urtext Stuttgarter Bach-Ausgaben – revised edition 2017
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 233270
Cantata for the inauguration of a new town council
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ solo
Study score
Item no.: 232882
Cantata for Trinity Sunday
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 161479
Kantate zum Sonntag Sexagesimae
Leipziger Fassung, 1715(?)
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 634704
Cantata for the Feast of Ascension
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir, orchestra, basso continuo
Study score (Urtext edition)
Item no.: 633576
Cantata for the 11th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233966
Cantata for funeral service / Purification of Mary.
Reconstruction Klaus Hofmann
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (TB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233914
Cantata for the Sunday of Estomihi
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 233799
Kantate zum 11. Sonntag nach Trinitatis (Leipziger Fassung, 1714)
Stuttgarter Bach-Ausgaben Urtext
for: Voice (soprano), orchestra, basso continuo
Study score
Item no.: 655832
Klassik
for: Voice, piano
Piano reduction
Item no.: 964804
Choral Nr. 6 und Nr. 10 der Kantate BWV 147 "Herz und Mund und Tat und Leben"
for: Mixed choir (SATB), 2 violins, viola, basso continuo; oboe ad lib.
Score, Parts
Item no.: 684892
Passio secundum Marcum
First version, first performed in Weimar around 1713 by J. S. Bach
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Set of parts
Item no.: 682542
Kantate für den 3. Sonntag nach Trinitatis (und für jede Zeit)
Bach große "Kümmernis"-Kantate
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 426119
Kantate zur Ratswahl 1727 – Rekonstruktion
Stuttgarter Bach-Ausgaben (durchgesehene Neuauflage)
for: 2 soloists (SA), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 234063
Cantata for the 2nd Sunday after Epiphany
for: 4 soloists (SATB), mixed choir (SATB), 2 violins, viola, bassoon, basso continuo
Score (Urtext edition)
Item no.: 233904
Cantata for the 13th Sunday after Trinity – Du sollt Gott, deinen Herren, lieben
Urtext Stuttgarter Bach-Ausgaben – revised edition 2017
Graduated prices on request
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 233269
Cantata for the 1st Sunday after Trinity
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 233242
1695–1717
Music to Delight the Spirit
Book (softcover)
Item no.: 817309
Cantata for the Sunday of Misericordias Domini
Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 233707
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