“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
Harmonia-Mixed Choir
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 911531
Bärenreiter Urtext
for: Mixed choir (SSATB); instruments ad lib.
Single part Violin 3 [Viola]
Item no.: 1655193
for: Flute, piano
Piano score, solo part
Item no.: 1141329
for: Organ
Music score
Item no.: 648630
for: Accordion
Music score
Item no.: 1593025
for: Alto Recorder and Keyboard
Book
Item no.: 1077476
for: Piano
Music score
Item no.: 1215257
Flex 7 Concert
for: Flexible wind ensemble (7 voices)
Score, Parts
Item no.: 1113062
for: Flute, piano
Book
Item no.: 1077099
for: Organ
Music score
Item no.: 998875
for: 2 guitars
Item no.: 298904
(From Cantata 147)/Jesu, Joy of Man's Desiring
for: 4 clarinets
Score, Parts
Item no.: 1132415
for: Flute and Organ
Book
Item no.: 1328958
For String Quartet Volume 1
for: 2 violins, viola, cello (string quartet)
Score, Parts
Item no.: 991383
for: Symphonic orchestra
Set of parts
Item no.: 686432
Buch
Item no.: 252049
Buch
Item no.: 251912
for: Flute
Sheet music
Item no.: 1640092
Cd Sheet Music - The Ultimate Library
for: DVD (4)
DVD (4)
Item no.: 311077
for: Organ
Item no.: 326626
for: Brass band
Score, Parts
Item no.: 1145224
Choral-Suite in 3 Teilen
for: Concert band
Score, Parts
Item no.: 445754
Buch
Item no.: 249189
for: 4 recorders (SATB quartet)
Item no.: 430135
for: Gitarrenduo
Book
Item no.: 1117960
Swingle Music~Bach's Greatest Hits
for: Mixed choir (SATB) a cappella
Item no.: 146892
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 427846
für Altblockflöte solo
for: Treble recorder
Item no.: 413685
for: Guitar
Music score
Item no.: 779115
Geistliche Musik
for: Choir (2 voices), piano
Choir score
Item no.: 1324776
Cantata for Ascension
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 1 (orchestral part)
Item no.: 424399
Jubilate
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 423941
Jubilate
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Viola 2 (orchestral part)
Item no.: 423940
Kantate zum Sonntag Quasimodogeniti
for: 3 soloists (ATB), mixed choir (SATB), orchestra, organ
Violin 2 (orchestral part)
Item no.: 233126
Violin Solo and Violin 1
BWV 66
Cantata for the Second Easter Day
for: 3 soloists (ATB), mixed choir (SATB), 2 oboes, bassoon, violin solo, 2 violins, viola, basso continuo
Violin 1 (orchestral part)
Item no.: 233111
Cantata for the 21st Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 232940
for: Cello
Item no.: 387817
for: 2 pianos
Book
Item no.: 1004959
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Viola (orchestral part)
Item no.: 1666794
aus dem Wohltemperierten Klavier 2 BWV 876
für 4 Blockflöten (SATB) Partitur und Stimmen
for: 4 recorders (quartet)
Score, Parts
Item no.: 347325
Violin 2 (orchestral part)
Item no.: 347071
Kantate zum 19. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 232755
Item no.: 610234
Passio secundum Marcum
First version, first performed in Weimar around 1713 by J. S. Bach
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Viola 2 (orchestral part)
Item no.: 371838
for: Organ [harpsichord]
Item no.: 338891