Looking for something to inspire your local choir or choral society? Our extensive range of choral repertoire includes works for Mixed Choir, Male Voice Choir, Female Voice Choir, Children’s & Youth Choirs, and Senior’s Choir, singing a Capella, with piano accompaniment, and with various other ensembles up to full orchestra.
Choral singing began to take form in the 9th & 10th Centuries, with the unison Gregorian Chant or Plain Chant. From the early Renaissance period, through composers like Palestrina , di Lasso and William Byrd true polyphonic choral music blossomed, and crescendo-ed through to a wonderful climax with Thomas Tallis’ Spem in alium for 40 parts, divided into 8 choirs.
As the form developed through the Renaissance into the Baroque period, composers such as Bach, Telemann and Händel gave the choir more and more autonomy, and through early operas and oratorios, married solo voices, choirs and orchestras together, to create these new musical forms, and inspired audiences with combinations of colours and sounds they had never before experienced.
Although there were many operas and oratorios written in the Classical period, sacred music also took a prominent role in shaping the development of choral music. While the chorus became a very useful tool on stage, Haydn, Mozart, Schubert and Beethoven composed many Masses, Requiems, Te Deums and Anthems to help brighten the world of church music, and uplift the hearts and souls of the congregation.
As opera continued to expand and stretch dramatic boundaries, choral music of the Romantic period was characterised by choral motets and anthems, and the oratorio grew into an even more varied and contrasting form. The oratorios Elijah and Paul are particularly noteworthy, since despite using Sacred themes, through the various musical facets at Mendelssohn’s disposal, they began to take on a much more operatic narrative. This can also be seen in the Requiems of Brahms and Verdi, where the choir itself, along with the orchestra, lead the dramatic storytelling.
Through the 20th Century, composers such as Ralf Vaughan Williams, Anton Webern, Arnold Schönberg, Benjamin Britten and Edward Elgar composed extensively for varying choral forces. Through these composers and many others, we begin to see choirs being tested and stretched, both technically and dramatically, and being pushed out of their comfort zone in order to inspire, shock and entice the audience. Works like Elgar’s The Dream of Gerontius and Schönberg’s Friede auf Erden made a huge impact on the choral landscape.
In the modern era, new choral genres such as Gospel Choir, Pop Ensembles and Jazz & Swing emerged. Composers like John Rutter, Karl Jenkins, Bob Chilcott and Andrew Lloyd Webber have become very popular.
for: Choir
Buch
Item no.: 1159404
for: Mixed choir (SATB), piano
Book
Item no.: 1076629
for: Mixed choir (SATB), piano
Choir score
Item no.: 1121609
for: Mixed choir (SAB), piano
Choir score
Item no.: 1121500
for: Women's choir (SSA), piano
Choir score
Item no.: 1121481
for: Mixed choir (SATB), piano
Choir score
Item no.: 1319842
for: Mixed choir (SATB), piano
Choir score
Item no.: 1116753
for: Mixed choir (SATB), piano
Choir score
Item no.: 1320520
for: Mixed choir (SATB), piano
Choir score
Item no.: 1320470
Cantata for Christmas Day
for: Soloists, mixed choir, orchestra
Viola (orchestral part)
Item no.: 1543991
for: Mixed choir a cappella
Item no.: 1617058
for: Mixed choir a cappella
Choir score
Item no.: 1345965
for: Mixed choir (SATB), piano
Score
Item no.: 1152836
for: Mixed choir (SATB), piano
Score
Item no.: 1152372
for: Mixed choir (SATB), piano
Score
Item no.: 1158640
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 1153622
for: Choir (2 voices), piano
Einzelstimme
Item no.: 1153991
for: Mixed choir (SSATTB) a cappella
Violin 1 (orchestral part)
Item no.: 766143
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 912578
for: Women's choir (SSA), piano
Einzelstimme
Item no.: 926021
for: Choir
Score
Item no.: 922577
for: Male choir (TTBB), piano
Einzelstimme
Item no.: 886520
for: 4 soloists (SSAT), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 234737
for: Choir
Choir score
Item no.: 819074
for: Mixed choir (SATB), piano
Book
Item no.: 1007319
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 910026
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 1155614
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 637097
for: Choir
Choir score
Item no.: 877997
for: Mixed choir (SATB), piano
Choir score
Item no.: 317206
for: Mixed choir, piano
Choir score
Item no.: 584860
for: Mixed choir a cappella
Choir score
Item no.: 562712
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 114973
for: Choir
Score
Item no.: 307499
for: Mixed choir a cappella
Choir score
Item no.: 306923
for: Male choir
Choir score
Item no.: 195526
for: Mixed choir (SATB), organ; 2 violins, double bass ad lib.
Choir part Soprano
Item no.: 308284
for: Mixed choir (SATB); flexible ensemble ad lib.
Part 3 (Viola)
Item no.: 672231
for: Mixed choir (SATB); flexible ensemble ad lib.
Part 4 in C, Bass Clef (8vab)
Item no.: 647123
for: 4 soloists (SATB), mixed choir (SSATB), orchestra, basso continuo
Basso continuo (orchestral part)
Item no.: 364217
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 210129
for: Choir
Choir score
Item no.: 116630
for: Mixed choir (SATB), orchestra
Set of parts
Item no.: 307724
for: Male choir (3 voices)
Score
Item no.: 309234
Cantata for the Feast of Annunciation Day
Bärenreiter Urtext
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 385522
for: Choir (2 voices), piano
Choir score
Item no.: 1097656
for: Male choir (TB), piano
Choir score
Item no.: 1097293