Luigi Cherubini

Anacreon Ouverture (Score)

for:
Concert band
Musical Editions:
Score
Item no.:
1183687
Author / Composer:
Luigi Cherubini
Level:
difficult
Duration:
10 minutes
Publisher / Producer:
Producer No.:
012607070-Score

Description

Score only

0 Full Score A3 - 1 Full Score - 1 Piccolo - 4 Flute I - 4 Flute II - 1 Oboe I - 1 Oboe II - 1 Bassoon I - 1 Bassoon II - 1 Clarinet Eb - 4 Clarinet Solo - 4 Clarinet I - 4 Clarinet II - 4 Clarinet III - 1 Alto Clarinet Eb - 1 Bass Clarinet - 1 Soprano Saxophone I - 1 Soprano Saxophone II - 4 Alto Saxophone - 2 Tenor Saxophone - 1 Baritone Saxophone - 1 Flugelhorn Eb - 1 Flugelhorn Solo - 2 Flugelhorn I - 2 Flugelhorn II - 1 Flugelhorn III - 2 Cornet I - 2 Cornet II - 2 Trumpet I - 2 Trumpet II - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 1 Baritone C - 1 Baritone Bb (BC) - 2 Baritone Bb (TC) - 1 Baritone II C - 1 Baritone II Bb (BC) - 2 Baritone II Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 2 Drums - 1 Timpani

Luigi Cherubini (1760-1842) was one of the leading figures in the musical world of the early nineteenth century, being active as well in Paris, London and Vienna as in his home country Italy. He became the first inspector of the Paris Conservatory of Music where he taught composition from 1816 onwards and was director from 1821 to 1841. Besides his famous 'Requiem in C minor' he wrote some thirty operas, fallen into oblivion except for the overtures, and also several marches for wind band. 'Anacreon' is a ballet-opera in one act written and first performed in 1803. The composition is rather representative for Cherubini's style and boasts several pleasant melodies fitting in a distinct structure. The overture is written in a simple classical style. The introducing largo leads to the central allegro and then the themes are developed in a fascinating way.

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