Medieval Hymn Variations

0 Full Score A3 - 1 Full Score - 1 Piccolo - 4 Flute I + II - 2 Oboe - 2 Bassoon - 4 Clarinet I - 4 Clarinet II - 4 Clarinet III - 1 Alto Clarinet Eb - 1 Bass Clarinet - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 2 Trumpet I - 2 Trumpet II - 2 Trumpet III - 1 Horn I Eb - 2 Horn I F - 1 Horn II Eb - 2 Horn II F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Euphonium C - 2 Euphonium Bb (BC) - 2 Euphonium Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 1 Percussion I - 1 Percussion II - 1 Drums - 1 Mallets 1 - 1 Mallets 2 - 1 Timpani

Guido d'Arezzo(992 - 1050) was an Italian music theorist of the Medieval era. He developed new techniques for teaching, such as staff notation and the use of ut–re–mi–fa–so–la (later, ut became do). The original monophonic melody is written in organum in the first part, then developed in 3 modern variations, to end with a passionate finale. After the première in 2015, the piece was revised drastically, and was performed in its final edition in 2016.