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The Renaissance Period – Sheet Music & Scores

The Renaissance saw the musical shackles of the Medieval Period being broken, and both secular and sacred music became livelier and more expressive, and through the developments of printed music, more widely available. Browse our sheet music and scores, and pick up a mass or a madrigal today!

Music of the Renaissance Period

The driving force of the Renaissance was humanism (from the Latin “hummanus” or human), the dogmas of the church were overturned by science, and art was inspired by antiquity and a new, harmonious worldview. Vocal polyphony was very much at the forefront of Renaissance music, and a desire for perfect form, and rational, logical sophistication emerged. In church music, the cyclic form of the Mass, Kyrie, Gloria, Credo, Sanctus, Agnus Dei was still widely deployed, and musical settings of Motets, Litanies, Psalms and Magnificat & Nunc Dimittis broadened the congregation’s musical experience. Secular vocal music also developed through the madrigals, and polyphonic and unison songs.

Basic Elements of Polyphonic Vocal Music

In contrast to the Medieval Period, the Renaissance began with a new design principle, imitation. A short, lively theme moves from voice to voice, and the composer creates a counter-melody to compliment it. Elements from the Medieval however were still present, and the “cantus firmus” or fixed chant was often a device of choice in the Renaissance. The cantus firmus takes a theme from Gregorian Chant or Folk Music, but the composer uses augmentation, elongates the note values, and uses the cantus firmus as the harmonic basis for this polyphonic work. From here, the canon soon evolved, which was the clear precursor to the baroque fugue.

Renaissance Instrumental Music

The Renaissance marked a big step in the development of instrumental music, and a significant move towards independence for solo instruments, and chamber groups. Traditionally instruments were used as accompaniment for choir or solo singing or for dance music, but through the Renaissance Period, pure instrumental solo or ensemble music became more and more popular. In particular, Renaissance Organ Music experienced a great boom due to the technical development of the instrument, and it was during the 16th century that more vocal instrumental music started emerging, and the first works featuring basso continuo were written.

Important Renaissance Composers

DL: O. di Lasso: O occhi manza mia, GCh4
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Orlando di Lasso

O occhi manza mia

for: Mixed choir (SATB) a cappella

Music score

Item no.: 760508

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DL: M. Vulpius: Gelobt sei Gott im höchsten Thron
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Melchior Vulpius

Gelobt sei Gott im höchsten Thron

for: gemischter Chor (SAB) und Klavier

Music score

Item no.: 761432

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DL: J. Crüger: Auf, auf, mein Herz, mit Freuden
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Johann Crüger

Auf, auf, mein Herz, mit Freuden

for: gemischter Chor (SAB) und Klavier

Music score

Item no.: 732987

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DL: C. Monteverdi: Lasciate mi morire, Gch5
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Claudio Monteverdi

Lasciate mi morire

for: Mixed choir (SSATB) a cappella

Music score

Item no.: 760668

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DL: M. Vulpius: Christus, der ist mein Leben
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Melchior Vulpius

Christus, der ist mein Leben

for: gemischter Chor (SAB) und Klavier

Music score

Item no.: 761400

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DL: H.L. Haßler: Tanzen und Springen, GesKlAKG;Mel
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Hans Leo Haßler

Tanzen und Springen

(Laute, Violine)

for: Voice, piano [accordion/keyboard/guitar]; melody instrument ad lib.

Music score

Item no.: 730808

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DL: G.G. Gastoldi: In dir ist Freude
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Giovanni Giacomo Gastoldi

In dir ist Freude

for: gemischter Chor (SAB) und Klavier

Music score

Item no.: 761422

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DL: T. Tallis: All Praise to Thee
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Thomas Tallis

All Praise to Thee

for: Schulchor, gemischter Chor (SATB)

Music score

Item no.: 1641933

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DL: M. Praetorius: Jubilate Deo
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Michael Praetorius

Jubilate Deo

for: Kanon

Music score

Item no.: 1209311

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DL: T. Ravenscroft: A round of three country dances in one
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Thomas Ravenscroft

A round of three country dances in one

for: Chor (4 Stimmen)

Music score

Item no.: 747445

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DL: T.L. de Victoria: Ave Maria, Gch
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Tomás Luis de Victoria

Ave Maria

for: Mixed choir a cappella

Music score

Item no.: 730709

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DL: J. Arcadelt: Ave Maria, Gch
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Jacob Arcadelt

Ave Maria

for: Mixed choir a cappella

Music score

Item no.: 730708

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DL: S. Scheidt: O Jesulein zart, GCh4
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Samuel Scheidt

O Jesulein zart

Görlitz 1623

for: Mixed choir (SATB) a cappella

Music score

Item no.: 751456

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DL: M. Praetorius: Es ist ein Ros entsprungen (Part.)
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Michael Praetorius

Es ist ein Ros entsprungen

for: gemischter Chor (SAB) und Klavier

Score

Item no.: 1209110

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DL: M. Praetorius: Es ist ein Ros_ entsprungen, Klav
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Michael Praetorius

Es ist ein Ros‘ entsprungen

for: Piano

Music score

Item no.: 780054

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DL: M. Praetorius: Es ist ein Ros entsprungen, GCh4
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Michael Praetorius

Es ist ein Ros entsprungen

Köln 1599

for: Mixed choir (SATB) a cappella

Music score

Item no.: 751449

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DL: J. Eccard: Ich lag in tiefer Todesnacht, Gch5
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Johannes Eccard

Ich lag in tiefer Todesnacht

Wittenberg 1529

for: Mixed choir (SMezATB) a cappella

Music score

Item no.: 751457

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DL: M. Luther: Vom Himmel hoch, da komm ich her, Klav
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Martin Luther

Vom Himmel hoch, da komm ich her

for: Piano

Music score

Item no.: 780094

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Verband deutscher MusikschulenBundesverband der Freien MusikschulenJeunesses Musicales DeutschlandFrankfurter Tonkünstler-BundBundes­verb­and deutscher Lieb­haber-OrchesterStützpunkt­händ­ler der Wiener Urtext Edition

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